camui and meat-on-a-stick

After cutting practice Hiroko and I went to Ginza and walked around. They had the main street closed off for foot traffic only, so did the standard wander about. Dropped off some shoes at Camui; fix my and her sandals and resole my boots. Then we checked out Seibu, Gap, J Crew...as suspected most of the girl clothes are made specifically for skinny, curveless Japanese women, so of course Hiroko can't find anything that fits right.

Shopped out we headed over to Ichikawa and hit Master's Kushimasu.
Packy, his wife Kelly and friend Julie are in Japan for a couple weeks, so the old gang got together. Hugh and Mami's three-year old bundle of energy Toshiki was tearing up the street while Steve and Oide's two-year old Cain sat quietly playing with his toy cars. Hugh bought some land and is building a house for about 40 million yen. Which in my neighborhood wouldn't even get you a one-room condo. Ah, Tokyo.

chop chop

Had cutting practice in Ichikawa. Did fairly well so I think I'll be okay for the demo at the national tournament next weekend. Probably do jinrai -- don't want to try anything too tricky. Managed one decent yoko-ichimonji as well, but still can't nail it consistently like I can gyakugesa. Need more practice.

check the schedule

Showed up at Nihonbashi, and the place was strangely dark and empty. Called Sekido-san who reminded me that we keep an updated schedule on the homepage for a reason. There was no class scheduled, I just assumed there was. I do this alot. You'd think I'd learn, but I don't.

outback

The team was rallied and the food was plentiful. After goofing off and chatting it up with the equities boys, I went over to The Outback Steakhouse and met Spike, Alex, Moka, Bystedt, and Hiroko for some serious feeding. Hammer was just finishing up dinner with his family as we were starting. Hammer's kindness knows no bounds: after he left the waiter said he bought us a round of beers. So of course I took a photo of everyone with their beverages and emailed a thank you to The Hammer. Gotta love technology!

redhat

Took an old Thinkpad 240 and built it RedHat 9.0 -- really simple; just made a boot floppy and did an HTTP network install. Of course once I got everything setup I realized there are no linux drivers for the latest and greatest Linksys 54G wireless card I bought. So I guess it's back to Bic Camera for a cheaper older supported wireless card!

small

Just after I got to practice, the skies turned a menacing gray, then black, then thunder and lightening erupted and rain fell in buckets. Then the lights flickered. A nasty storm cloud swept across Tokyo, in and out in less than an hour, but the damage was done: flash flooding. Scores of commuters caught without umbrellas, surface trains delayed.
Took a while for the gym lights to cycle back up to full power, but we started practice anyway. I ran everyone through the basics, then Tanaka-sensei showed up and we did the last 10 kata.
Niina-gosoke also came in about 8pm, worked out in the corner on his own for a bit, then when class was over called us remaining stragglers over for another hour of fun. "Ren, ever since you came back from the states, your cuts are small. Small! Too much cutting whatever's right in front of you. Cut your enemy! A human enemy, with a sword and skills, who retreats and attacks! Not an enemy made of stationary straw, waiting to get cut! Cut big! Chase and cut down your enemy!"
About a week to go to the national tournament, and I've been so worried and focused on the cutting demo that, as expected, my kata is getting small and week. And my shoulder still hurts, because I refuse to rest it until the tournament is over.

fundamentals

New guy who just started came to practice for the first time. Always looking for an excuse to spend all two hours on nothing but basics, I ran him and the other guys through the serious fundamentals. We started just practicing how to walk up and down the hall, focusing on upper and lower body coordination, keeping the hips steady and the feet moving enough but not too much. When we finally got around to using our swords we took our time doing basic stances, moving in and out of high, mid, and low kamae before actually cutting. We concentrated on hand positioning, blade movement and arm mechanics, as well as timing with the lower body, and of course maintaining total bodily stability while moving and cutting. Also talked a bit about line of sight and the relentless pursuit of eliminating wasted, unnecessary movements. After two hours my right shoulder was twinging in pain, but I've got less that two weeks until the national tournament, so I'm not resting it; plenty of rest when I'm dead.
After class I hurried home only to discover that the 9pm conference call I thought we had, we didn't. So Hiroko and I watched tv while eating a heavy-on-veggies dinner.

funday monday

Tanaka-sensei is getting bogged down with work at his metal shop, so it was just five of us in practice today. I took Mizuno-san and ran him through the fundamentals for over an hour, paying attention to hand placement, upper body, and extension. Can't overload beginners with all the things they're doing wrong, so I just pick two or three things and focus on those, letting the other pieces come together as they progress.
Last half hour I worked on my own, preparing for the tournament on two weeks. I'm so hosed. My forms are a messy; sloppy and slow and lots of extraneous wobble. Sword won't go where I want it to, won't stop where I want it to, too much tension especially in my arms and not even snap, not enough focus. I also have cut in a couple of weeks and it doesn't look like there will be a cutting practice before the tournament, which makes me kind of nervous to cut in front of everyone at the beginning of the tournament.

photos

From the BBQ at the Rudick's and the Azabu Jyuban Matsuri.

marriage

Cornelius and Kaori got married! Congrats!

less movement

Niina-gosoke himself ran the seminar. He started with the basics: how to put the sword properly on the hip -- though most of us where only one sword, we train in samurai arts, not as yakuza, so we wear the longsword as if we had two swords. This means the longsword goes over the top belt of the hakama (the belt from the front), then under the top two layers of the obi, and under the middle belt of the hakama (from the back), then over the last belt of the hakama (from the back). The short sword goes in front of the stomach, sideways, under the hakama and first layer of the obi. I don't have a short sword, but have started wearing my tessen (steal-edged fan) to approximate the feel of having a second sword. Having something in that position forces the right hand to properly move under and take the tsuka from below/behind when drawing. It also helps keep the back straight to keep the pressure off the stomach.
For three hours he ran us through all 20 kata, highlighting the general points the pretty much everyone screws up.


After the seminar we went to an izakaya for drinks and snacks and Naganuma-sensei told the story about the first time he cut from a seated draw in front of everyone, and talked to me about his kobudo and karate study, and the importance of taisabaki, which most translate as "body movement" but in this case he meant minimizing movement. The idea is to move from a state of readiness; no wind up, no telegraphing. To move back, you don't push off with the forward foot, resulting in a slight sway before moving. You just move back. You keep the head still, and the body moves effortlessly as one. Very tough to do, but if done right, that slight minimization of unnecessary movement makes your technique that much faster.

thar be pirates!

Hiroko and I did some shopping at National Azabu, then headed up to Jyuban and Roppongi Hills and got some French Dogs for lunch.



Missed my dentist appointment last week because of this damn cold. So I visited Dr. Suzuki this afternoon.
He has a comfy little pillow on the chair, and when I asked about it he told me his tales of woe as an inventor.
He needed a comfy little pillow, so he asked Tempur if they could make one, but they told him they couldn't make on that small. So he looked all around and ended up making his own little down pillow. And now, Tempur has a little pillow on the market, just like the one he asked them to make!
But wait there's more: Dr. Suzuki loves to eat stinky cheese. But the next day, he smells how bad his own breath is, and he realizes if he can smell his own bad breath, it must really be unpleasant for others. So after some research he discovered that parsley seeds work well to neutralize the stinkiness. He asked his friend who worked at a capsule making company to make a couple of samples, and he shopped them around to convenience stores and whatnot, only to be told he was daft if he thought anyone would buy such a product. Now, 20 years later, no young females would be caught dead without some Breathcare" capsules in her pocketbook.
And his latest sob-story: there's a certain rate at which administering novacaine from a syringe does not hurt; has to do with the pressure exerted on the plunger and therefore the rate and which the novacaine flows into the gums. However, it's very difficult for a dentist to work the plunger with his thumb to maintain just the right amount of pressure to keep the application of novacaine painless. So Dr. Suzuki figured that putting a simple gear/clutch on the syringe could regulate the speed at which the plunger depresses, maintaining a steady flow and therefore keeping the perfect, painless pressure constant. He told a couple of friends, made some mockups...and now the biggest medical supply maker has one on the market!
I told him next time he has a great idea, he should write it down and send it immediately to Hiroko, who will file for a patent and if necessary assemble the necessary funding to establish the business or at least license the patent.

On my way home I swung through Bic Camera in Shibuya and picked up a Linksys wireless DSL router. Marked 22,000 yen, but the guy rang it up as 15,980 yen! Score!

After the dentist we went to Roppongi Hills to see Pirates of The Caribbean. Now this movie was excellent. Everything that a movie should be: Depp was fantastic, the bad, cursed pirates were nasty, the 'good' Brits properly snotty, the sword fighting dynamic, the musical score engaging, the babe stunningly beautiful, the cleavage heaving, the blood minimal, the effects fantastic and seamless, and the plot engaging. Praise Disney for having the sense to make it PG-13, not R (too bloody/sexy/scary) or PG (too tame.)

the way things are

Had a meeting of instructors, went over plans for the upcoming national tournament and other administrative things. Then Niina-gosoke spoke a bit about The Way Things Are:

I am the 16th Soke of Mugairyu Iaihyodo. I AM Mugairyu Iaihyodo. Hougyoku-kai, the organization, exists because I choose to let you study Mugairyu. Without me, it is nothing. This is not a democracy. If I say crows are white, they are white. You don't like it, you're free to study some other style. This is koryu budo.
That being said, we are a group of friends, students and teachers, come together around our mutual love and respect for budo. You have something to say, say it! That's why we have these meetings, that's why the Board of Hougyoku-kai decides the rules and regulations. That's why we drink, and eat, and practice together. If you have an opinion, a positive contribution to make, say it proudly so that we can all hear you. Maybe we'll use it, maybe we won't. The final decision, as regards Mugairyu Iaihyodo, rests with me. But I am open to hear what you have to say. And maybe you'll learn something.
However, do not cower in the shadows, hide behind anonymity on the Internet, and make negative comments, criticize what I say, what we do. That is cowardly, and it is the lowest form of human behavior.
We all have opinions, we come together and drink and we say things; alcohol loosens the tongue, and what is said over drinks is understood as such. But those opinions don't leave that table. Don't repeat what others said, don't discuss it with those who weren't there, don't spread gossip and rumors, under the cover of shadow, in calculated whispers.
I have been doing Mugairyu Iaihyodo for over 30 years. You think you know something? You know nothing! You think it's a big deal because you teach once a week, because you have 4dan? You teach because I say you can, you get promoted because I promote you. The promotion committee, the shihan instructors, they are irrelevant. I give promotions, ranks, and certificates, and I take them away.
Is this harsh? Cruel? Shooting your mouth off in the shadows, that is cruel and demeaning. You got a problem with me, or the way I run things? We can settle this. Get your sword. All I need is a wakizashi, a tanto even. Then you'll understand why I'm Soke. Nobody forces you to study Mugairyu Iaihyodo. You're free to leave whenever you want. This is the way it is, and if it's not what you want, you need to go do something else, because I won't change things for you.
With any large group of people, groups form. Factions, even. Some people congregate around a certain sensei. Some folks stick together. Some people just don't like each other. That's just the way people are; the larger the group, the less likely it is that we all get along. But know this: you are all, every one of you, under ME. I am watching, and I know what's going on. I know what the shihan are doing, I see the cliques, factions, groups, and friends. I don't care one bit, but if it's an attempt to undermine me, to undermine my authority, to undermine Mugairyu, I won't stand for it. I have 300 years of Mugairyu Iaihyodo supporting me.
Most people don't mean badly, they just get mad, or frustrated, and say things that maybe the regret. But those words persist, snowball, a small comment sets of a thunder of screaming...All I ask is, watch your tongue. As a practitioner of koryu budo, the rules are strict, but even as a modern citizen, as a fellow human being, you should watch what you say. If you have time to comment or complain, shut up and spend that time practicing. Your actions will always speak louder than words. This is how it is. Less flapping tongue, more swinging swords.

He also held up Sekido-san's book of photography as an example of the great things that people can achieve when they just shut up and hunker down. Sekido-san spends months and years hanging out of chartered airplanes and driving around deserts taking amazing photographs of landscapes and horizons. Now he runs his own digital imaging licensing business.

After the meeting, Niina-gosoke, Sekido-san, Ohtsuka-san and I went to eat dinner. We decided to go to the 3000yen all-you-can-eat Korean BBC place, and spent the evening stuffing ourselves on BBC meat and talking about how great it will be when we get a honeybee dock; a place we can call 'home' and where we can practice 24-7. We're looking for a place, maybe an old factory or warehouse. The trick is getting a place with a high enough ceiling. Hope to find a place by the end of the year. Once we get a place, I'll be there every day!

puttin' the 'ki' in kissaki

Haven't been to practice in over a week. Didn't actually plan on going, but Tanaka-sensei called me and said that he had to work and asked if I could take over for him, so of course I said yes.
Ended up being pretty mellow; ran through the basics and took a couple of guys through the first six kata. Was feeling a bit tight and tired, but soon loosened up.
From 8:30 Niina-gosoke took us through the standing kata, and I was all sloppy. "Ren, you have no energy in your sword! As soon as you stop the cut, all the energy drains out, and there's nothing left! Your ki should flow all the way up through your arm, through the sword to the kissaki!"
After about 15 minutes he finally just said "You're still sick. Stop practicing. Go home and sleep. Summer colds are tough to beat if you're tired." So I packed up and went home.

i get what deserve

Too much fun this weekend, playing at the Azabu Jyuban Matsuri (Summer Festival) with little Kaeri and Amy, then shopping at Costo in Makuhari. By Monday I was feeling miserable and I slept for 2 days straight.
Not feeling 100% but at least I'm basically functional.

it's a girl

Jeff and Ericka's Lillian "Lilly" Sofia Calvert is born!

sleepy

Too tired to go to practice tonight.

debauchery in roppongi

We meet Kevin right at 10pm at Mogamobo. It's still early and the crowd is thin. Ed and Ako, a cutie he knew from Texas, appears. Eventually a group of people Kev knows shows up. Another group of women shows up, dressed in black cocktail dresses and sporting eyemasks, bubble-guns, party poppers, and baloon art. They each have a button declaring them member's of "Jo's Hen Party", making every guy in the bar desparately wish he was "Jo".
Stevie's girl Eriko brought a friend but, arriving on time and seeing Stevie nowhere, went next door to dance to bad 80's tunes. Finally Stevie and Kyle appear, Stevie going "Where's Eriko?"
By now the place is reasonably packed, the hen party is in full bubble-making/party-popping mode, and the music is loud. Just as we spot Lee's plaque on the wall (second over, second down from the upper right corner) my cell rings: Lee calling from New York. We chat, we toast, we refuse to ring the bell in his honor unless he provides us with a credit card number.

Ed knows another place (there's ALWAYS another place in Roppongi) so we hike around the corner and up the street. Before getting incoherent, Steve calls his wife, and then into the basement we go. The music is better, the air-conditioner is more effectice, the dartboard is crap, and the tvs are playing some bad gangster movie starring Sharon Stone with 80's hair. Kyle gets freaky in the corner. Kevin shows us how the sport of the beer-drinking pot-bellied white man is played. Steve is humbled. Stevie is Stevie. Stevie's girlfriend is also, unfortunately, Stevie.
At some point, several hours after the carriage has turned back into a pumpkin, we emerge to street level. Fighting through waves of offers for massage and other services, we put Steve in a cab pointing vaguely back towards the Hotel Okura, say our good-byes, and I stumble back home, glad I live within walking distance of the armpit that is...Roppongi.

blaster

Friggin' Microsoft and their assinine OS. I've gotten over 100 mails with the virus yesterday and am still getting them today. Virus scrubbers on the firewall have killed them all before the mail gets into my inbox, but it's still annoying. Now what's worse is that some infected machines are using my email address as the from/reply-to, so now I'm getting bouncebacks as well.
Here's a tip: USE VIRUS PROTECTION and KEEP IT UP TO DATE!
Do not assume Microsoft or your ISP or anyone else will keep your PC clean. It's your machine, and it's your responsibility. You don't have to write your own anti-virus software or configure your own firewall, but at least use some industry standard software and keep it in proper working order.
It's kind of like your car. You don't have to change the oil yourself, but you do have to remember to have the oil changed regularly. No one comes over to your house every month to check your oil without even bothering your about it, right?

angles

Ran through the fundamentals at practice, and after Tanaka-sensei showed up I took the two beginners and continued to drill on the basics. About 7:30 Niina-gosoke showed up and made everyone do the first kata, shin. Seems that recently there's been some mis-information about this first and most important kata. The first cut is a standard 45 degrees rising diagonal. The second cut is a diagonal into the base of the neck and through the body to the waist, above the hipbone. The angle is most definitely not 45 degrees. Also, the position of the hands after the second cut isn't set in stone. Depending on arm length, sword size, etc. the hands could be in front of the left knee, or above it, or beside it. The key is the angle of the cut; into the base of the neck and down through the body, along the line of the collar of the uniform. Also, the upper body should not be leaning too far forward.
The best thing to do is first try the kata standing. Right foot out rising diagonal. Retract the left and ready the sword, then left foot out and diagonal cut. In that position, drop the right knee to the floor and check the upper body position: should not be leaning too far forward, just slightly.